Few artists have captured the unsettling beauty of the fusion between flesh and machine as hauntingly as Hans Ruedi Giger. His biomechanical visions, cathedrals of bone and chrome, embryonic nightmares suspended in steel wombs, eroticism bound in cold circuitry, have etched themselves into the collective unconscious.

Born in Chur, Switzerland, in 1940, H.R. Giger studied architecture and industrial design. His early drawings, ink studies, and airbrush paintings rapidly evolved into a distinctive visual language, the biomechanical style, which merged organic forms with mechanical structures, all suffused with eroticism, existential dread, and an alien logic. His breakthrough came with the publication of "Necronomicon" in 1977, a collection of nightmarish illustrations that captured the attention of filmmaker Ridley Scott, who invited Giger to design the xenomorph and other visual elements for the film Alien (1979). The result was a visual icon that redefined science fiction and horror.

The musicians featured on this compilation have interpreted H.R. Giger's themes through dark ambient, industrial, and experimental soundscapes - resonances, echoes of the biomechanical sublime that the master revealed. Features: Sshe Retina Stimulants, Modelbau (Frans de Waard), Mario Lino Stancati, Mark Hjorthoy, Red Stars Over Tokyo (Jeroen Lauwers), Oubys, vÄäristymä, Lars Bröndum, Nihil Impvlse, Phoanøgramma, MoCM & Schema Musicalis (Andreas Monopolis & Stelios Giannoulakis), and Richard Bégin.

Ltd x 100 copies (CD proper) in a 6-panel matt-laminate digipak.