'Long sold out' returns from a closed distributor... |
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| CONTROLLED DEATH (MASONNA) / RUDOLF EB.ER |
CONTROLLED DEATH / MAYUKO HINO |
IRON FIST OF THE SUN |
KOLLAPS |
MOTHRA |
'Death Ceremonies' LP (CSR283LP)
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'Split' Picture Disc LP (CSR291P)
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'We Can Yield Our Own Footsteps' LP (CSR204LP)
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'Mechanical Christ' LP (CSR269LP)
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'Doom Engine' LP (CSR284LP)
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| PSYCHIC TV |
PSYCHIC TV |
SHE SPREAD SORROW |
TREPANERINGSRITUALEN |
WILLIAM S BURROUGHS & BRION GYSIN |
'Those Who Do Not'
2 x LP BLACK (CSR323LP)
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'Those Who Do Not'
2 x LP WHITE (CSR323LPW)
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'Mine' LP (CSR231LP)
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'Veil The World' LP BONE WHITE (CSR205LP)
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'William S. Burroughs & Brion Gysin' LP (CSR293LP)
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| BURIAL HEX |
FM EINHEIT / ANDREAS AMMER |
KHOST |
MAYUKO HINO |
MERZBOW |
'Throne' CD (CSR232CD)
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'Hammerschlag' CD (CSR281CD)
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'Governance' CD (CSR237CD)
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'Lunisolar' CD (CSR245CD)
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'Anicca' CD (CSR107CD)
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| MERZBOW |
MERZBOW • BALÁSZ PÁNDI |
MERZBOW Vs NORDVARGR |
PENNY RIMBAUD'S KERNSCHMELZE II |
PENNY RIMBAUD (CRASS) |
'Cafe OTO' 2 x CD (CSR233CD)
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'Live At Fac251' CD (CSR233CD)
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'Partikel III' CD (CSR180CD)
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'Cantata For Improvised Voice' CD (CSR239CD)
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'Oh Magick Kingdom' MCD (CSR259CD)
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| PENNY RIMBAUD'S L'ACADÉMIE DES VANITÉS |
PSYCHIC TV |
PSYCHIC TV |
SHE SPREAD SORROW |
SHIFT |
'Yes Sir, The Truth Of Яevolution' MCD (CSR223CD)
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'Batschkapp' CD (CSR162CD)
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'Thee Fabulous Feast Ov Flowering Light' CD (CSR188CD)
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'Midori' CD (CSR251CD)
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'Altamont Rising' CD (CSR195CD)
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| SONOLOGYST |
TREPANERINGSRITUALEN |
WE BE ECHO |
VARIOUS ARTISTS |
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'Silencers' CD (CSR253CD)
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'Deathward, To The Womb' CD (CSR222CD)
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'Ceza Evi - Compleat Edition' 2 x CD (CSR311CD)
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'Treatment Of The Dead - A Cold Spring Sampler' CD (CSR201CD)
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COLD SPRING RELEASES
- CHIMEHOURS -
CD / LP / LTD LP OUT 24 OCT
| CHIMEHOURS - 'Underneath The Earth' CD / LP / Ltd LP (CSR355CD/LP) |
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"Underneath The Earth" is the debut album from Chimehours; a hauntological music project for the dislocated present day. Taking inspiration from Max Porter's novel "Lanny", the album digs into themes of nature, myth and community, with an edge of folk-horror.
Drones, drums and gritty guitars are juxtaposed with woodwind, strings and ethereal song. Written and produced between Derbyshire, London and Margate, the album takes musical influence from the likes of Liz Fraser, Broadcast, Beth Gibbons, Bibio and Jóhann Jóhannsson, and atmospheric cues from The Wickerman, The Fog, and Enys Men.
Chimehours is a collaboration between Beck Goldsmith and Jon Dix. The pair have previously performed in bands together and composed music for award-winning film and television. They conjured up this foray into cinematic, horror-flecked contemporary-folk to explore their love of the supernatural and the other-than-human.
Chimehours raid the vaults of 70's British cinema and trad folk soundscapes to riff on contemporary anxieties and ecological yearning. They conjured up this foray into cinematic, horror-flecked contemporary-folk to explore their love of the supernatural and the other-than-human. The result is a collection of all things earthy, exquisite and grotesque.
FFO: Darkher, The Unthanks, Wardruna, Jóhann Jóhannsson... |
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- VA 'DECODER' -
OUT 19th SEPTEMBER
| VARIOUS ARTISTS - 'Decoder' CD (CSR356CD) - £11 |
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Released on standalone CD for the first time in 33 years, this now-complete edition of the ground-breaking cult soundtrack is finally here.
A cult classic of sci-fi dystopia, "Decoder" (1984) saw EINSTÜRZENDE NEUBAUTEN's members working alongside GENESIS P-ORRIDGE (THROBBING GRISTLE / PSYCHIC TV) and WILLIAM S. BURROUGHS. It's one of the strangest (and most prescient) films of the decade. The film was made in Hamburg and Berlin, and directed by Klaus Maeck 'Muscha' (who directed several punk films).
The lead roles are played by Christiane F and FM Einheit from Neubauten, who also contributed to the film's score. Genesis P-Orridge, the kingpin of the English industrial scene, also appears as a priest of the Black Noise faith. Author William S. Burroughs portrays an insurrectionist salesman of audio equipment (and contributes spoken word to the soundtrack), and American cult actor Bill Rice plays a detective. |
SOFT CELL contributed their classic 'Seedy Films', while MATT JOHNSON from THE THE wrote a frenetic, deformed song for the film that is both fantastic and painful to listen to, and EINSTÜRZENDE NEUBAUTEN's 'Compressed Metal' is sublime. Dave Ball (SOFT CELL), Jon Caffery and Genesis P-Orridge composed the rest of the soundtrack.
A futuristic film, and a joyous application of William S. Burroughs' "The Electronic Revolution", which proposes a seditious and rather poetic method of subverting the masses and inciting them to rise up against the forces of order.
MUZAK IS MORE THAN MUSIC.
• CD in matt-laminate digipak with 10-page foldout booklet. |
- ILLUSTRIOUS -
OUT NOW!
| ILLUSTRIOUS (MARTYN WARE & CHARLES STOOKE) - 'Mesmerine 111™' 2 x CD **SIGNED** (CSR357CD) - £17.50 |
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Illustrious is MARTYN WARE (HEAVEN 17, B.E.F., ex-THE HUMAN LEAGUE), and CHARLES STOOKE.
Illustrious Company presents... Mesmerine 111™. This is a 3D soundscape based on / inspired by the frequency 111Hz, which has been historically and scientifically proven to induce a trance-like state.
Findings of MRI scans suggest that at exactly 111hz, the brain switches off the prefrontal cortex, deactivating the language centre, and temporarily switches from left to right-sided dominance, which is responsible for intuition, creativity, holistic processing, inducing a state of meditation or a trance.
These findings have been confirmed by archeo-acousticians in studies regarding ancient and Neolithic shamanistic burial rituals around the world. The title is a take on the use of sound as pharmacology (Mesmerine is the name of an imaginary drug). |
The soundscape of the ambient Dose 1 is 50 minutes in duration - long enough to induce a true trance-like state. Dose 2 continues with a calming and unctuous vocal mix performed by Charles Stooke. Bringing to mind HAL 9000 (2001: A Space Odyssey), the sound is simultaneously reassuring and disquieting.
The world premiere of the 3D sound composition was at the FOCUS Art Fair in New York, Spring 2025.
Safe when used as directed. Recommended optimal dosage: 30-60 minutes at (less than) 70dB, delivered by Illustrious Labs 3D audioscape system or binaural through your own headphones.
Side effects may include:
Contra-indications (in less than 10% of cases)
Loss of consciousness
Unresponsiveness
Low blood pressure
Hypnogogic meta-trance
Inertia
Extreme calm
Hypnotic hypersensitivity
Hyperacuity
Visual hallucinations
• 2CD in matt-laminate digipak, presented in a slipcase with sticker hand-signed by Martyn Ware. |
- MARC AND THE MAMBAS -
| MARC AND THE MAMBAS - 'Three Black Nights Of Little Black Bites' 2LP / Ltd 2LP (CSR350LP) |
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The complete recordings of the legendary Marc And The Mambas run of three live performances given at The Duke Of York's Theatre in London's West End in 1983. Restored from the original VHS tape recordings made by the late Peter 'Sleazy' Christopherson (Throbbing Gristle, Coil), these remain the only recordings that exist of Marc And The Mambas performing live.
Originally released in 2012 on Marc Almond's (Soft Cell) own Strike Force Entertainment label as a CD/DVD set (long sold out), this edition, presented on vinyl for the first time, contains the 17 tracks from the SFE CD release, expanded to include the two bonus DVD-only tracks: 'Près Des Ramparts De Séville' and 'Jacky'. Completely remastered for vinyl by Martin Bowes (The Cage Studios).
A combination of the chanson and torch songs which he still sings today, over piano, strings and woodwind-accompanied compositions. "It's quite a spectacle, especially when Almond hits his sweet spot of sinister lyrics, declared pompously over a droned string arrangement... Early signs of the full-on showtune and classical rearrangements that make up Almond's current albums are evident"(Record Collector).
Presented on heavyweight double vinyl in a deluxe glossy gatefold sleeve featuring the extensive reminiscence by Marc Almond himself from the 2012 release. |
Also included is a reproduction of the 16-page programme printed for the three concerts in 1983. The stunning cover painting by Val Denham is exclusive to this release.
• Ltd x 150 copies Red / Black Splatter 2LP (via Cold Spring only! SOLD OUT!)
• Ltd x 350 copies Red 2LP (SOLD OUT!)
• Black 2LP |
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- PSYCHIC TV -
OUT NOW!
| PSYCHIC TV - 'A Prayer For Derek Jarman' CD (CSR351CD) - £11.50 |
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Unavailable for almost 30 years in its own right, this collection from the Cold Spring archive has been remastered / repackaged with new art. This classic album exists as a document of the soundtrack work PSYCHIC TV created for the many films and videos of Derek Jarman. Another demonstration of why PSYCHIC TV were one of the most important groups in the world.
The titular track, 'Prayer For Derek', is intended as an invocationary prayer, based on Tibetan rituals; a collage of sounds including field recordings of the lulling waves running aground on the shingle beach opposite Jarman's Prospect Cottage in Dungeness, Kent alongside bird song, crying babies, and massed ritualised chants to aid the late film director in his after-life journeys.
Other tracks feature elongated drones, washes of dissonance, melancholic guitar chime, evocative piano scoring, Burroughs cut-ups, gothic chants, and familiar snarling dogs.
• CD in matt digipak with 8-page fold-out booklet, with detailed liner notes by Genesis P-Orridge (1997); Astorical anecdotes and background facts for completeness. |
- SONOLOGYST -
OUT NOW!
| SONOLOGYST - 'Planetarium' 2 x CD (CSR349CD) - £13.50 |
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An aural exploration of the solar system by Sonologyst, using data from NASA's probes.
On the latest album by Sonologyst, raw data from radio waves, electromagnetic fields, and plasma fluctuations, utilising data sonification files provided by NASA, are transformed into a haunting soundscape, unveiling the ambient music of planets, solar winds, and the cosmic beyond.
As the newest addition to Sonologyst's series of sonic documentaries, this work deepens his exploration of the sonic spectrum, converting cosmic phenomena into immersive auditory experiences.
NASA and other space agencies have captured "sounds" from the cosmos by recording non-audible signals like radio waves, electromagnetic waves, and plasma (ionized gas that's prevalent in space) wave fluctuations. These are converted into audio frequencies we can hear using a process called data sonification. Spacecraft like Voyager, Cassini, and Juno are equipped with special instruments (e.g., plasma wave antennas, magnetometers, radio wave receivers) to detect radio waves, plasma waves, and electromagnetic fields. |
These signals can provide data on phenomena like solar wind, planetary magnetospheres, and charged particles. Since many of these signals are outside our hearing range (radio waves might have frequencies far below the audible range (20 Hz to 20 kHz) or far above it, while magnetic and plasma waves are often in the range of milliHertz (mHz) to kilohertz (kHz), also outside human hearing.), they are converted using various techniques, including frequency scaling, sampling, filtering, and amplitude modulation. Some events, like plasma wave bursts, happen over long periods. Scientists may speed up the playback so we can hear the changes in a shorter time frame.
After conversion, the resulting sounds are often enhanced to make certain patterns, pitches, or changes in intensity more noticeable. This may involve amplifying certain frequencies or adding layers to represent multi-dimensional data. This processing helps bring out subtle differences that might otherwise be hard to discern.
• Double CD in a matt-finish gatefold ecopak, with a bonus disc of the raw source material from NASA's probes.
All purchases direct from Cold Spring will receive a small pack of original stamps from the golden age of the space race - one original Soviet stamp celebrating the Venera 14 probe to Venus, and a further random stamp from anywhere in the world again celebrating Mankind's missions into space. All stamps are authentic and original and can be neatly stored away within the package. |
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- LITTLE ANNIE -
CD / LP / LTD LP OUT NOW!
| LITTLE ANNIE - 'With' CD / LP / Ltd LP (CSR348CD/LP) |
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This collection features the cream of Little Annie's collaborations with some of the greatest names in the 'alternative' music world: MARC ALMOND (Soft Cell), COIL, SWANS, BONNIE "PRINCE" BILLY, BABY DEE, KID CONGO POWERS (Nick Cave & The Bad Seeds, The Gun Club, The Cramps), PAUL WALLFISCH (The Ministry Of Wolves, ex-Swans), and LARSEN.
A common atmosphere brings these tracks together; lamenting torch songs, esoteric electronics, melancholic pianos, avant-garde lounge... a collection for dark, candle-lit corners of smoky cabaret bars and secret speakeasy clubs.
Anne Bandez (known as Little Annie / Annie Anxiety), is a versatile American singer, painter, and performance artist renowned for her extensive collaborations across various music genres since the late 1970s. Her artistic journey has seen her work with a diverse array of avant-garde musicians, contributing significantly to the experimental music scene. Annie's career is a testament to her adaptability and innovative spirit, seamlessly blending music, visual arts, and literature to create a unique and enduring artistic legacy. |
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- ANDREW OSTLER -
OUT NOW!
| ANDREW OSTLER - 'The Blind Sublime' CD (CSR352CD) - £11.50 |
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Andrew Ostler continues his artistic evolution towards choral beauty, orchestral textures, ambient drones and low woodwind, into the realms of Jóhann Jóhannsson, Arvo Pärt or Stars Of The Lid.
Building on the string arrangements of his previous LP "Dots On A Disk Of Snow", and taking a heavy dose of sax drone from an earlier album still, this record also adds a full choir, taking the music to another level of spiritual intensity.
"This is music of transcendence, and perhaps transformation... A glimpse of something profound: not merely music, but a reflection of the sublime itself - blind, unknowable, and utterly captivating" (Chain D.L.K.).
On the first three compositions the drones are, for the most part, relatively gentle, while chant-like choral arrangements drift and weave around and above them. 'Affirmation' is quietly confident, with a surge of intensity around the midpoint; 'Confession' is perhaps more tentative, the shifting canon of the voices threatened by a distant storm of distorted synth shredding; 'Adoration' restores the straightforward choral beauty, building to an unashamed cadence.
The immense final track 'Meditation' is a quite different affair. Here the drones are more intense slabs, the choir is more demonstrative in its emotion, and the ultimate climax the more devastating for it. The journey is longer, but the rewards are greater for the committed. |
Originally released on Andrew Ostler's own Expert Sleepers label on limited edition blue vinyl last year, Cold Spring are very proud to press this gem onto CD for the first time.
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| • CD in matt-laminate digipak |
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- IGGOR CAVALERA /
SHANE EMBURY -
OUT NOW!
| IGGOR CAVALERA / SHANE EMBURY - 'Neon Gods / Own Your Darkness' CD / LP / Ltd LP (CSR294CD/LP) |
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Two legendary titans of the extreme metal scene - IGGOR CAVALERA (Cavalera Conspiracy / Petbrick / founding member of Sepultura) and SHANE EMBURY (Napalm Death / Dark Sky Burial) - join forces for this unique split of brooding dark ambient, industrial strength noise, and heavy synth-laden electronics, creating what feels like the lost soundtrack to some dystopian fever dream.
Setting the tone for this double-headed behemoth with creeping, cinematic dark ambience, IGGOR CAVALERA's side-long 'Neon Gods' unfolds into a brutal sonic nightmare. Equal measures of dread and anguish come together with the occasional reprieve of slow, pulsating drones and almost meditative waves of static. The crescendo of harsh industrial noise with heavy Death Industrial vocalisation is nothing short of pummelling.
"Neon Gods is a bit of a sonic trip, with different layers of atmospheric vibrations, from darkness to light. It's an absolute pleasure to do this split release with Shane, I believe we share a lot of similar ideas when it comes to opening our mind to different styles of sounds" (IC). |
SHANE EMBURY's 'Own Your Darkness' merges menacing, pitch-black dark ambient and hypnotic bass swells with celestial synth lines that subtly lurk around the peripheries. Rising and falling, ebbing and flowing - until finally the all-encompassing apocalyptic bleakness, the enveloping darkness, closes in around you.
"Iggor and I have been good friends for decades and this is a record very different for us both but amazing! A very interesting track to make, it was my first experiment with the Solar 42. An excellent synth for those eternal drones of despair and was assisted my long time colleague Russ Russell. As I journey ever onward in through my individuation it's imperative that I own my own darkness... hence the title. We all need to strive for balance and to kindle a light in the darkness of being" (SE).
Tracklisting:
1. Iggor Cavalera - Neon Gods (19:44)
2. Shane Embury - Own Your Darkness (13:35)
• CD in matt-laminate digipak
• Ltd Ed 300 copies on white heavyweight 180g vinyl in a matt-laminate sleeve (via Cold Spring / artists only!) (FINAL COPIES!)
• Black heavyweight 180g vinyl in a matt-laminate sleeve. (SOLD OUT)
| LTD WHITE LP £22 |
BLACK LP £20 |
CD £11 |
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SOLD OUT |
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- MARTYN WARE (HEAVEN 17, ex-THE HUMAN LEAGUE)
& CHARLES STOOKE
& GABRIEL WARE -
OUT NOW!
ALL ABOUT THE PROJECT | VISIT THE INSTALLATION IN HALIFAX 4 APR-4 MAY
| - MARTYN WARE
& CHARLES STOOKE & GABRIEL WARE - 'It's Always Ourselves We Find In The Sea' (CSR349CD) |
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An experimental dive into aquatic and industrial rhythms, this is the original soundscape to the highly-successful, immersive installation "It's Always Ourselves We Find In The Sea" (premiere at The Saatchi Gallery) composed for 3D ambisonic sound by: MARTYN WARE (HEAVEN 17, B.E.F., ex-THE HUMAN LEAGUE), CHARLES STOOKE, and GABRIEL WARE.
Produced by Illustrious (Martyn Ware and Vince Clark of Erasure), with environmental and immersive design by Oscar Blustin and Anna Söderblom, the installation invites visitors into a contemplative space; a quiet, peaceful temple to water, within which the soundscape exists. Listeners enter and explore the space in their own time, letting the sounds wash over them, experiencing the stories and musical motifs as they build and gather then subside like the tide.
Taking a cue both from UNESCO's Ocean Literacy initiative and the UN's Sustainable Development Goal 14 - Life Below Water - "It's Always Ourselves We Find In The Sea" offers visitors an opportunity to consider their relationship with water, and to step back out into the world with an altered perspective on its value and cultural significance.
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The soundscape is a looping experience, divided into two parts:
Part One - A Call To Water: This section explores our human relationship with anthropomorphised Water - throughout the history of our species and all across the globe, humankind has petitioned the deities of the sky and the sea for the benediction of rain and for deliverance from natural disasters.
Part Two - The Water Circle: Water is crucial for all life on earth to exist and thrive. In this part, we witness the storm's deluge on the land, water cascading in streams, then rivers and finally to the sea. The beauty and mystery of the oceans culminates in the process of evaporation and the creation of clouds, which continue the eternal cycle of water.
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• CD in 6-panel matt-laminate digipak
£11.50 |
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- SATØRI -
OUT NOW!
| SATØRI - 'Pillars Of Salt' (CSR346CD) - £11 |
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SATØRI's mission to document the stupidity of our species continues with "Pillars of Salt" - a journey through grinding rhythms, dystopian soundscapes and a fascination into what lies beneath the surface.
"An aberrant signal. Data loss. Corrupted programming. Everything should be fine. But it isn't, is it? Everything is f**ked. Something has gotten into the system and is destroying it from within. This is humanity being consumed by the inability to think for itself. Ahead is the future. Just don't look back..."
Formed in the mid-80's, with previous releases on high-calibre labels such as Broken Flag, Cold Spring, Trident, Mindscan, and Tesco Organisation, SATØRI's sound comprises a mixture of harsh Industrial noise and power electronics with harder and heavier percussive beats than before. Their material provides a constant pervasive undercurrent of violence, the feeling of a planet on the verge of collapse and a reflection of the lack of humanity embedded in a culture based on greed and self-preservation.
Featuring guest vocalist Lorenzo Abattoir, the album was produced by Andy Swan (Khost, Final, Iroha, Tactical Pagan). |
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- COLOSSLOTH -
OUT NOW!
| COLOSSLOTH - 'The Harmony Knife' (CSR347CD) - £11 |
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The fifth album from industrial / esoteric electronic alchemist Colossloth is a concept album based on the writings of professor Ted Kaczynski AKA the Unabomber. It is not about his terror campaign against the industrial society and the rise of technology - but his manifesto "Industrial Society And Its Future" and in particular the elements of "The Power Process".
"With "The Harmony Knife", Colossloth is cutting through to the bone and sinew of Man's chronic, species-specific dissatisfaction, and the causes thereof. He is laying bare humankind's inability to solve its own, self-created problems, to meet its basic needs, and to achieve even those goals clearly within its reach.
What is the fundamental nature of the human condition? Is it one of misery and failure in the face of blissful possibility? Is it the contrary unwillingness to accept that we can become fully realised and contented beings through the success of actualised, idiosyncratic, and often basic goals?
In defining and describing The Power Process, the twisted mind of Ted Kaczynski saw mankind's primal need to struggle for a goal, however small, as necessary for a meaningful life. Indeed, without this elemental piece of the evolutionary struggle, he saw terminal atrophy as the inevitable result. |
With "The Harmony Knife", Colossloth seizes these ideas and sonically extrapolates the implications of humankind's failure to satisfy even our most rudimentary needs. He creates an auditory landscape examining our repeated inability to focus our efforts on fundamental goals to ensure even a measure of happiness or contentment. Humanity's inability to live rather than merely exist" (Jake Shell).
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- VA 'Электронная Музыка АНС'
(ANS Electronic Music)' -
OUT NOW!
| VA 'Электронная Музыка АНС
(ANS Electronic Music)' (CSR307CD) - £10.50 |
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Available on CD (or any other format) for the first time outside USSR, Soviet composers perform their works on the legendary ANS synthesizer.
Recorded in 1969, "Электронная Музыка АНС (ANS Electronic Music)' features 6 tracks of experiments on the unique machine by: Eduard Artemiev, Stanislav Kreitchi, Sándor Kallós, and Alexander Nemtin. A 'musical' machine unlike any other which has long fascinated cutting edge, modern electronic composers, notably COIL and THE ANTI GROUP COMMUNICATIONS (TAGC) / CLOCK DVA, that have both released recordings utilising the ANS.
Try to imagine a score sounding by itself without a conductor; an orchestra without musical instruments. This magic is possible by using the musical ANS synthesizer. Created by Soviet scientist Evgeny Murzin over the course of 20 years, ANS is an instrument with which a composer can not only create but also draw their music without notes. You can see the twinkling of different lamps, the rotation of grooved glass discs... The drawings on the glass are 'sounding notes'. To listen to the drawn picture, press the button and a wonderful transformation will begin. |
Inside the ANS are five rotating glass discs with 144 tones printed (by hand) on each one. Light is projected through the discs and onto photovoltaic cellbank which converts the light into electricity and sends signals to the ANS's amplifiers and bandpass filters. The ANS can generate 720 tones this way and, unlike a human musician, play them all at the same time.
Murzin dedicated his photoelectronic apparatus to Alexander Nikolayevich Scriabin, hence the name ANS. Scriabin, the creator of the 'Poem of Ecstasy', and a famous explorer of synesthesia, used in his works a highly chromatic, new type of harmonic style designed to express his beliefs, views and wishes.
Soviet music lovers will already know recordings made on ANS from Tarkovsky's films Solaris, The Mirror, and Stalker, Konchalovsky's film Siberiade, and others.
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