As the father of cyberpunk, William Gibson imagined a world where technology and society collide, blurring the boundaries between human and machine, individual and system. His novels, particularly Neuromancer, painted a dystopian future where sprawling megacities pulse with neon, corporations rule from the shadows, and cyberspace serves as both playground and battlefield, with technology is a tool of empowerment and control, a paradox that resonates deeply in our contemporary world. The term cyberspace, which he coined, feels more real than ever in today's internet-driven world. We live in a time where virtual spaces are as important as physical ones, where our identities shift between digital avatars and flesh-and-blood selves. The rapid rise of AI, neural interfaces, and virtual reality feels like a prophecy fulfilled as though we've stepped into the pages of a Gibson novel.

Much like Gibson's writing, the music in this compilation embraces technology not only as a tool but as a medium of expression. It's no coincidence that many of the artists featured here draw from electronic, industrial, and experimental music scenes genres that have consistently pushed the boundaries of sound and technology: Adi Newton (Clock DVA / TAGC), Dead Voices On Air, Sigillum S, Mario Lino Stancati, Joel Gilardini, Oubys, NYORAI, Tescon Pol, Phoanøgramma, Richard Bégin, Andre Úhl, and Wahn. These tracks serve as a sonic exploration of Gibson's vision, translating the technological, dystopian landscapes of his novels into sound. Just as Gibson envisioned a future where humanity and machines converge, the artists in this compilation fuse organic and synthetic sounds, analogue and digital techniques, to evoke the tensions of the world he foretold.

Ltd x 200 copies in a 6-panel matt digipak.