A selection of experimental / abstract / ambient works for the stage, created over the course of 15 years. Their origin in relation to choreography is difficult to put into a methodical formula. The productions were never about "dance music" in the classical sense, to which the dancers hang like puppet threads. The starting points were DJ'ing, live improvisations in Jenny Beyer's Open Studios (rehearsals with and in front of an audience), field recordings of work noises, the theatre environment. What happened on stage remains hidden on this record. Therefore the selection was determined by the question of what could work without the visible action of dancers. Much of what has arisen cannot naturally be reproduced on a sound carrier, for example the sound of 40 mini speakers carried by the audience on a course through the theater in Jenny Beyer's "Fluss", installations with prepared records and record players in "Liebe" or the Stravinsky arrangements in "No [Rait] Of Spring" by Josep Caballero Garcia. Liner notes by Asmus Tietchens.