Asmus Tietchens sent processed recordings of himself reading excerpts from two texts by E. M. Cioran.

John Duncan worked on and manipulated them, creating three pieces. There is little of Tietchens remaining in these abstract creations. Speed-altered voice tracks are stacked, swirling electronic sounds in the background providing proof of deeper processing. 'Freih zein hoem macht...' ranks among Duncan''s harshest pieces to date, while 'Aber...' is more "typical" Duncan: a drone derived from the sound source but from which the sound source has been obliterated, and yet makes its ghostly presence palpable.

Ltd x 1000 copies in a digipak with spot varnish, with cover art by Tietchens. 

[ Listen to MP3 ]