Fresh electroacoustic sounds from Germany. Listen, not listen, listen to, listen in, hear, eavesdrop, turn a deaf ear, interrogate. This CD focuses on the initial moment of composition in the artist's current auditory perception. Composers, sound artists and sound enthusiasts began by resonating themselves. Thus chosen by the sound, they began to compose, either captivated or repelled by what they heard; and sometimes they themselves did not know why they were listening to it.

Frequencies, moods, noises, atmospheres, situations, spaces, hand actions, quotations, singing audience choirs. Then all of this driven further, rubbed, shaken, kneaded, hidden in the composer's own time. The expected diversity as well as the seamless folding of the compositions - without pauses in between, whereby the consecutive pieces clearly relate to each other without reflecting each other’s essence - allow the CD itself to mutate into a media object.

Curated by  Johannes S. Sistermanns, featuring pieces by Miri Berlin, Frank Niehusmann (Radikal Audio Lab., STROM), Marcus Beuter, Denise Ritter (Schachtanlage Gegenort), Gerald Eckert, Clemens von Reusner (Radikal Audio Lab.), Tim Helbig, Harald Muenz, Jakob Rieke, and Antje Vowinckel.

75 mins. Digipak with 14pp booklet with all artwork by Marc Behrens.