Cavernous field / object recording musique concrete from this French composer living in Cambodia. A coalescence of acoustic sound sources recorded in an industrial complex of abandoned factories in southern France 2010-2015. "In-situ improvisations inside reverberant metal tanks, deserted warehouses that I had the possibility to infiltrate during my exploration of the site. Generating sound in these empty spaces mainly by using found objects, combined with instruments that I've brought such as a Tibetan bowl, small bells, percussion, cymbal, a bow, and a violin. Capturing the inner substance, the hidden vibrant matter of various types of metallic structures, machinery, tubes, and pipes, I extended my sonorous palette. All of these elements were used exclusively in the composition of my pieces. Dissolving time, space, mangling sounds collected into a simulacrum of altered realities. A oneiric junction between the concrete world and other unknown territories" (Jérémie Mathes). Artwork by Stijn Deprez, based solely on images realised by Mathes. Ltd x 300 copies.