"Writing about music is like dancing about architecture". This saying has been around for decades. Whoever said it wished to emphasize the uselessness of translating into words the musician's work. This saying springs to mind when listening to Roberto Dani's new work "Nocturne". An atypical percussionist who dwells on silence and sound fragments rather than large blows and impact, Roberto resembles an expert mountaineering guide leading you on a hike: he teaches to appreciate the imperceptible sound of heartbeats and breathing, and the thin noises of wind, steps, stones and grass. Creating sound on sound as if he was laying stones on stones, gesture after gesture, Roberto builds a cathedral of silence, embedding whispers and other almost unnoticeable noises with the rubbing of his fingers. He moves around his astonishing sound sculptures as if dancing in the dark. Ltd x 300 copies in a 6-panel digisleeve.