400 LONELY THINGS - 'Mother Moon'- out 11th April. £10.50

        

The new album from 400 LONELY THINGS, produced by WILLIAM BASINSKI, is a dark ambient, sample-based séance to the Banning Mill - a real-life decaying "mansion" and haven for artists, freaks and misfits in the backwoods of the American Deep South in the 1970s-1990s - and an extraordinary piece of art that lived there.

An archaeological excursion in found sound - wandering through the art and memory of a real place, "Mother Moon" is an origin story for 400 Lonely Things. In the 90's, Craig Varian was fortunate enough to frequent the Mill in the years before it closed. It was here that he was exposed to the artwork of Richard Scott Hill, whose artwork "Minotauress" graces the album cover. His work both captured and fed into the Mill's sinister yet playful undercurrents of mania and depression. This album, born out of that first visit to the Mill, is an imaginary soundtrack to the many years of solitude the Minotauress spent hanging in the musty, secret winding halls of Banning Mill.

Since the days of the Mill (and Varian's subsequent purchase of "Minotauress" shortly before the Mill closed), Craig Varian, along with best friend and late musical partner Jonathan McCall, found a thread of music they'd been consistently making yet had previously failed to notice - melancholic instrumentals with weathered sampling at its core - going back to their earliest recordings in the late 1980's. Eventually, this music was called 400 Lonely Things.

Presented in a 6-panel spot-varnished digipak.

Read the full story behind the release here or order via Bandcamp to receive a bonus 44-page supplemental digital book with lots of extra stories and photographs.

SLEEP RESEARCH FACILITY / LLYN Y CWN - 'Sargo / Posidonia' - out 7 April 23
Ltd LP £17 | CD £9 ... VINYL IN STOCK EARLY!

        

The ultimate deep listening experience from two masters of dark ambient. A slow descent into the blackened watery abyss, where light cannot reach.

The first release from Sleep Research Facility since 2012's "Stealth" (Cold Spring) is inspired by the deep sea ocean floor. The Canadian-based composer explores notions of awareness and perception in the sub/unconscious listener. Focusing primarily on sound bereft of rhythm based energies, SRF provides an environments wherein the music adds texture to the silence. Using form without structure and concentrating on space as opposed to narrative, SRF entertains the idea that music can reside in the very fabric of sound itself. The brand new material here was created specifically for this split release.

Taking inspiration from the beautiful, but often harsh landscapes and environments of his home on Anglesey, North Wales, Llyn Y Cwn has built on the nautical theme of "Du Y Moroedd" (Cold Spring). These tracks are based on field recordings relating to the ocean, and could be seen as a companion piece to the album. 'Dale Dawn' features a recording of the dawn chorus made from the floating pontoon at Dale, Pembrokeshire. 'Pebble' includes the sound of waves crashing on a Dorset cobble beach, thousands of rocks colliding in chorus. 'Doppler Current Profiler' is based on the sound of an ADCP, an acoustic sonar instrument used to measure water currents - a 600Khz ping slowed to a heartbeat.

Limited Edition LP on audiophile black vinyl for best sound presentation. CD in mini-LP sleeve, replicating the vinyl design. The artwork features a separate front cover design with individual art for each side, making this a true split release.

B.E.F. (post-HUMAN LEAGUE / pre-HEAVEN 17) - 'Music For Stowaways'- out 21 April 23
LP Yellow SOLD OUT! | LP Black £20 | CD £10

   

The first reissue of seminal early 1980's electronic recordings from the British Electric Foundation (B.E.F.), aka HEAVEN 17 / ex-THE HUMAN LEAGUE's Martyn Ware and Ian Craig Marsh, with Adi Newton (CLOCK DVA / THE FUTURE), and John Wilson (HEAVEN 17), originally a cassette-only release (1981).

• Ltd x 500 copies on 180g Yellow vinyl (Cold Spring only) SOLD OUT
• 180g Black vinyl
• CD in digipak

Following two groundbreaking albums ('Reproduction' and 'Travelogue'), the original line-up of Sheffield-based The Human League split in half in late 1980. The two primary musicians in the group, Martyn Ware and Ian Craig Marsh, formed a new production company - the British Electric Foundation (B.E.F.) - and signed a deal with Virgin Records to write and produce up to six albums a year. The artists they were to produce would include Heaven 17, their own new band formed with vocalist Glenn Gregory.

B.E.F. would also release their own material, commencing with the music on this collection, which was issued in various permutations in 1981-82. Its initial release in March 1981 was a limited edition numbered eight song cassette entitled 'Music for Stowaways', with 'Stowaways' being a reference to the original name for the then-new Sony portable cassette player - later renamed the Walkman - of which B.E.F. were great fans. 'Music for Stowaways' was intended to be listened to on such a device. The cassette was followed by a seven song LP, 'Music For Listening To', which had a slightly different tracklisting, while other B.E.F. music was utilised for B-sides of early singles by Heaven 17.

This music was among the first recorded by Martyn and Ian directly after their departure from The Human League. Some tracks had evolved from other recordings they were working on at the time, such as 'Groove Thang' - an instrumental version of the debut single by Heaven 17 - and 'The Old At Rest', which derived from a version of 'Wichita Lineman' by Jimmy Webb, their very first recording with Glenn that would subsequently appear on B.E.F.'s 'Music of Quality and Distinction, Volume One' covers album in 1982.

Supporting musicians on 'Music For Stowaways' included Adi Newton of Clock DVA (who had been a member of The Future with Martyn and Ian pre-Human League) on the track 'Uptown Apocalyse', with John Wilson (who provided incredible guitar and bass for Heaven 17) appearing on 'Groove Thang'.

The innovative sounds heard on 'Music For Stowaways' were an inspiration to many aspiring electronic artists. In 2015, Uncut magazine included it in a list of the '50 Greatest Lost Albums of All Time'.