"Scandinavian noise mavericks Mats Gustafson (Fire! Orchestra, Gush) & Joachim Nordwall (The Skull Defekts) plot a strange cartography of pseudo ethnic gestures and torrential rhythmic noise in A Map Of Guilt... The results tap into a latent, ancient but timeless energy that lies at the core of the two collaborators' best work, modulating the transfer of current and psychic energies between what sounds like pygmy jazz played on drainpipes in the likes of The Smell On Her Arms and Already Cold. Unprepared, to the more expansive tract of pulsating bass and howling chant in the title track, and a series of more condensed, surreal arabesques recalling Rashad Becker's hypothetical creatures in Approaching and She Denied The Grass Getting Heavier, saving their crankiest jaunt for last with the feral swamp throng of Marks Covered By Wet Cloth" (Boomkat).