Mariah was a Japanese outfit in the field of experimental art pop, way back in the late 70's / early 80's. Originally released in 1983, their sought-after 5th album "Utakata No Hibi" (うたかたの日々) is a fusion of dreamy synthesizer pop and haunting new wave music in the vein of Tears For Fears, more adventurous David Bowie, with a touch of Kraftwerk, spiced up with an atmosphere of Japanese traditionalism / Enka music. The record draws the listener into the darkest and most depraved corners of Tokyo where you find cheap sleazy bars, and unlit alleys; the next moment you're strolling through a beautiful Japanese park surrounded by a sea of blossoms. Solid song structures with substance helped Mariah push the borders of popular music, with repetitive rhythms, silky melodies, and synth piano with female voice.

The progressive pop project was led by the Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist. He approved the brand new remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. Presented in a Japanese-style mini LP sleeve with obi strip and 36x36cm poster.