A career-spanning retrospective from Tanner Menard's ambient drift, drone, and noise work from the late 2000's, mostly composed on virtually modeled pianos that had custom tunings; early works for labels including H.L.M., Install, and Slow Flow Rec, as well as unpublished material from the archives.

Dating as far back as 2008, the work on display here is deeply personal to its core and unfurls slowly, revealing itself in patient gradations. This music revels in the vibrancy of its creative moment. The pieces from this period are attentive to uneasy beauty and often share a kind of warm, soft, melancholy mist.

"The music we make, the poetry we say into the world, resonates at the frequency of love that we have for the people in our lives. I believe that the vibe of the 2000s ambient scene was the resonance, the dust of 911 settling into a sort of ambient haze. The scene breathed itself out of the dust of Afghanistan, Iraq, the sadness of civilization doing its best to sing through early AI networks... We had a vision. We had a sound. It changed the sonic volume of the entire universe of sound".

Ltd x 150 copies in a gatefold digisleeve with photography by Johnny Utterback.