"The original on one side and the remixes on the other side. Karl Bösmann plays zither, bows, voice, hammer, ventillation, timpani, trumpet and trombone in the twenty minute title piece. I usually quite like his work and this new piece is no different. It seems to creating a hiatus with his older work in that it all seems to be derived from acoustic sound sources, rather than electronics. Its slowly building up, layer by layer and from a certain point on a moire like effect takes place, of shifting sounds, moving in and out of the mix. A fine complexity of dense sounds arrives and has a weird, almost avant-folk like character. The first remix is by Jan van den Dobbelsteen, The Netherlands' more conceptual composer. I have no idea what he did to the material, but 'radical rework' surely applies here. A static beep, like an alarm clock, repeated over and over. Ultra Milkmaids also do a form of reduction but in a more musical way, bringing everything down to just a few meandering organ like sounds. Hiroshi Hasegawa (Astro), on the other hand does what he does best, which is putting down a fine psychedelic mix of noise like sounds. Three entirely different remixes, none of which resembles the original at all. Now that's what I call a great remix project" (Vital Weekly). Ltd x 150 numbered copies on different red vinyl with 4 inserts in a hand-printed die-cut sleeve. This edition is on RED/BLACK MARBLED vinyl and is limited to 20 copies only!

ONE COPY PER CUSTOMER ONLY!
If you attempt to purchase more than 1 copy, your order will be refunded.