Most of this album was formed through a process of mining Kini's own experiments and sound sources, and then manipulating the recorded sounds. Much of the music contains rhythms, melodies or musical ideas created unintentionally and in an unconventional way. The whole approach was largely inspired by the music of Pierre Schaeffer, and his pioneering concept, Musique concrète - and the notion that you can abstract noise from the world around you into a piece of music. The name of the album is taken from the title of a Virginia Woolf essay, that in 1929 revealed the truth behind the gender imbalance in literary accomplishments throughout history; not so because of any say so, inherently female inferiority, and more so because of the simple fact that women were denied the time and space needed to produce creative works; all that was required was a room of one’s own. Digipak.