Schloss Tegal began out of discontent with the music scene in the early 1980-1991 and having personal contact with other avante garde music groups as Throbbing Gristle, SPK etc. who use technology and control as their model. [...] The sound evolved from power electronic synthesis and crude sampling techniques and has progressed into the realm of intrisic recordings and sound used to create a realism of such degree that it acts on a subconsious level...